Tubi’s “Demascus” upends TV norms, blending sci-fi, comedy, and therapy to deeply explore Black masculinity and vulnerability. Writer, Josha Alston, argues that the show is a fresh, essential vision for Black storytelling, revealing how real revolution comes when platforms dare to center authentic voices and complex emotional journeys.

When Keith Lee’s fitness video drew sexualized comments from some men, his response highlighted a broader tension over how Black men’s bodies are policed online. Dr. Deion Hawkins argues that attraction isn’t the issue; the issue is harassment, and true queer-straight solidarity requires respecting boundaries and allowing all Black men to be carefree.

Mr. Loverman is a quietly stunning drama about a 74 year old Antiguan-born British patriarch who has hidden a decades-long same-sex affair with his best friend and soulmate. The story of love, regret, and longing, inside the glass closet, is told through theatrical storytelling and remarkable performances.

Malcolm-Jamal Warner’s portrayal of Theo Huxtable on The Cosby Show redefined Black boyhood on television. Through Warner’s work, generations of Black boys, from all backgrounds, found permission to be complex and unapologetically themselves.

Noah’s Arc: The Movie revisits the groundbreaking Black gay series two decades later to deliver a searing meditation on aging and loss centering the seldom-told experiences of middle-aged Black gay men.

Wicked's Elphaba, played by Cynthia Erivo, shined new light on the story of prejudice and self-acceptance. In this piece, Dr. Deion Hawkins discusses how this casting choice illuminates the Black queer experience.

When Grammy-winning producer Kaytranada faced online backlash over his dating preferences, it spotlighted the complex pressures Black men face regarding who they date. Writer, Joshua Alston examines how public policing of private lives not only flattens individual identity but also risks harming the very communities seeking greater representation.

As Black dandyism takes center stage, writer Eric Paulk explores the tradition's roots while calling for real change to address the mental health, education, and economic struggles plaguing Black men today.

As anyone who’s ever had a fulfilling hookup app experience can attest, even the most contrived and artificial scenarios can yield moments of genuine connection and intimacy. Jerrod Carmichael has plenty of those moments in “Jerrod Carmichael Reality Show,” his new Max project chronicling the comedian’s biennial whirlwind.

As our nation continues to be blasted with arctic chills and snow, things in Hollywood are heating up. Some industries enter the year gradually, but movies and television make a grand entrance at the top of the year as the award season blazes on.

Nearly 20 years before the songs Old Town Road and Despacito peaked at #1 on Billboard’s charts, another song seemed to be played on an endless loop. Released in 1995, ”One Sweet Day” by Boys II Men & Mariah Carey sat at the top of the charts for 16 weeks, tying it for 2nd longest reign in Billboard’s history.

Like most commencement weekends, the mood was festive and upbeat one weekend last month on the stately campus of Carleton College, a small liberal arts school just south of Minneapolis. The graduates, wearing everything from bright dresses and heels to shorts and sneakers beneath their gowns, filed into seats arranged in a broad, grassy field incongruously called The Bald Spot.

On this podcast episode Johnnie Kornegay chats with Singer, Songwriter, Producer and Arranger Donnie about his album The American Mythology, and his personal journey to liberation.

This conversation was taped on June 20, 2016.

Nathan Lee Graham is crystal clear about his personal and professional identity. 

"My pronouns are he, him—diva. And I'm a very proud Black gay man," he says. 

World AIDS Day occurs annually on December 1. It is a worldwide opportunity to unite all of us in the fight to eliminate HIV, honor those we've lost, and show support for people living with HIV. For me, this day represents a time for reflection and action. This year I'm reflecting on how much the music of my childhood continues to impact me.

The cannon of Black horror films is limited. The cannon of horror films featuring Black queer characters, even more so. It's a sobering reality that Black fans of the genre have endured for decades until the mainstream explosion of Academy-Award-winning writer/director Jordan Peele's cinematic success. In the spirit of Peele, Atlanta-based actor, writer, and filmmaker Isaiah Rice is on a mission to change the face of horror again.

An openly gay man and lifelong horror fan, Rice is turning the 1980s-inspired grindhouse horror aesthetic on its head in his latest short film, "He's Watching You." The film follows Sidney(Rice) and Ryan(Schyler Tillett), a young millennial 20-something Black queer couple visiting a cabin in the woods for a romantic getaway to rekindle their broken relationship. Sidney is a recovering drug addict fighting to stay clean after rehab. Ryan is a recent law school graduate with hopes that the cabin trip will bring them closer together now that Sidney has reached a level of sobriety. While their backgrounds differ, one key thing remains true– their love for one another. However, as romance unfurls at the beginning of the night, it ends in horror with a fight for survival.

"While the core leads are two Black queer men in a relationship, the focus of the story is not centered around their sexuality," Rice says. "This is an issue that most films focus on when it comes to having queer characters. The general queer storylines seem to focus on the trauma of coming out of the closet, hiding your sexuality from society, or at times being oversexualized. "He's Watching You" is a grindhouse horror film, but it has nothing to do with the character's sexualities. They happen to be a queer couple in the wrong place at the wrong time," he says.

A dance and political science alum of Bates College, Rice tells The Reckoning the seed for "He's Watching You" was first planted after expressing his frustration to a film professor about the lack of representation of Black queer couples in horror.

A conversation with the legendary actor Andre De Shields is a master class.

The Tony-award-winning actor is currently receiving rave reviews as Ben Loman in the Broadway revival of Arthur Miller's "Death of A Salesman." De Shields plays the successful and wealthy older brother of Willy Loman (Wendell Pierce), a salesman grappling with a fruitless life in a burgeoning America. The latest production of "Salesman" makes history as the first Broadway revival of the dramatic masterpiece to feature African American actors in the leading roles.

A celebrated Black queer artist, De Shields began his professional career in a 1969 Chicago production of "Hair." His star turn in the title role of the 1978 Broadway hit, "The Wiz," opposite Stephanie Mills, has endeared him to audiences across the globe.

De Shields insists that his most challenging role is always the one directly in front of him. Whether performing for an entire house or in scenes with Neil Patrick Harris in the hit Netflix comedy “Uncoupled,” or standing before a classroom filled with fresh-faced students. Each time he steps on stage, he does so as an advocate. Over the last five decades, he's prioritized helping audiences understand and accept what it means to be human.

"As an actor-activist, I want to fill intimate spaces with enormous beauty," De Shields proclaimed.

On November 12, 2017, at 6:49 pm, I received a text that read: “Antron has transitioned.”

The official cause of death was cancer, but HIV was the cause. I’ve never written that publicly before, although it’s true. Antron-Reshaud Olukayode was a poet, artist, and community activist, but more importantly, he was my friend.

2017 was an important year for me as a creative. In retrospect, it’s hard to wrap my head around just how much work I was able to curate. I produced podcasts and multiple live events, shot countless photoshoots, produced a music video, co-curated an art display at the National Center for Civil and Human Rights, and even won an award.

Three Black gay men—a Pulitzer and Tony Award-winning playwright, a Tony award—nominated actor, and a possible future Grammy award-winning singer/songwriter— are having the time of their lives professionally and creatively. And to some extent, they credit the coronavirus pandemic.

Rob Milton, 33, is one of them.

While pundits and social scientists have debated whether the pandemic has led to a “Great Revelation” of some sort, Milton, and others, credit the pandemic with giving him the motivation needed to have the career he always wanted.

“I have pretty much surrounded myself with people who are creative, and post-pandemic, a beautiful thing has happened,” Milton told The Reckoning. “In some respects, the pandemic leveled the playing field. It caused a lot of the people I know to stop and think about how important it is to do the thing or things you are called to do.”

For just about everyone, year one of the Coronavirus pandemic bought both losses and gains. Self-described “outrageous storyteller” Ashton Pina was no exception: Starting the lockdown as an up-and-coming communications professional in a committed relationship, the queer storyteller ultimately ended the first chapter of the Covid crisis as an unemployed, single man.

From those losses, however, came one tremendous gain—the framework for a cinematic exploration of love and transition that, until recently, had only lived in his very creative head.

The fruit of his journey materializes in “Nana’s Boys,” a feature-length film – his first – set to make its local debut at Out on Film in Atlanta this month. In it, Pina explores themes of beginnings and endings, artifice and reality, hope and despair, all against the backdrop of a seasoned relationship between two Black gay men.