A few days ago, I emailed some trusted colleagues concerning a documentary project idea. It’s part of how I process. I’m really lucky to have a fairly extensive network of individuals in various sectors that I can reach out to from time to time. Most of my ideas never make it to the manifestation stage because of this incredible vetting process.

I find it useful, even necessary, to think through projects and get feedback before I launch them. If there are red flags or warning signs, potential kinks, or concerns, it’s always good to get solid advice from trusted people. I hope that they will tell me the truth, and they always do. It’s also good in the early stages to register any critical feedback and develop responses, which helps me determine my level of excitement for a project.

If you were unfamiliar with DaBaby (born Jonathan Kirk) before July 25, 2021, you’re likely all caught up on who the rapper is by now. Born in 1991 in Cleveland, OH, and hailing from Charlotte, NC, DaBaby rose to fame in 2018 and has since been a mainstay on mainstream urban radio.

Victor Jackson deserves your attention. Throughout much of the pandemic, the quadruple threat (singer, actor, choreographer, creative director) never stopped creating. Over the last year, Jackson has longed for the moment supporters of his latest EP, “Man. Muse. Magic.” could convene in the same space for a live performance absent the threat of COVID-19. On July 28, at Parlor, a Black-owned bar and performance space in downtown Atlanta, he partially got his wish. Jackson kicked off “Man. Muse. Magic. neat,” an intimate live performance residency scheduled to run once a month through November.

Every time abstract artist Emmy Marshall, 36, sells a new painting he places a red sticker on the back of his bedroom door. So far this year, there are 52 stickers and counting. It’s one way the Atlanta native and openly gay artist visually celebrates his success, which doesn’t appear to be slowing down anytime soon.

“This train is moving,” says Marshall during his interview with The Reckoning.

“I don't know how these things are happening, but people find me and they put my name in hats and in rooms and conversations and people are reaching out,” he says.

Besides producing quality work, one theory the self-taught artist has for his recent success is his ability as an abstract artist to tap into the imaginations of art consumers.

Growing up in the Caribbean nation of British Guyana, Christopher Inniss, Doctor of Veterinary Medicine and Area Chief of Staff at Banfield Pet Hospital in Lawrenceville, GA, had no blueprint for a career in his chosen field. Of the veterinarians he was exposed to, not a single one matched the reflection he saw when he looked in the mirror. Now decades later, Inniss is becoming a role model for aspiring veterinarians during a crucial time when there is an industry shortage and an even greater shortage of Black veterinarian students and professionals.

Passionate, sweaty, even reckless—the unbridled spontaneity of sex can be one of the things that makes it so damned fun. Now imagine that every sudden urge required a lengthy pause while you search for a bulky, hard-to-wear sexual aid that just might fall off mid-stroke.

It’s a mood killer, to say the least.

Yet for countless men and women whose sex lives revolve around so-called strap ons - artificial penises that attach to the body using a strappy harness - it’s a uniquely bitter pill they’ve learned to swallow.

Glenise Kinard-Moore aims to do something about it, turning a cocktail-napkin idea into a potential sex game-changer for LGBTQ+ people and the disabled alike.

Jason Hudgins began attending Westview Community Organization meetings well before he moved into the community.

He was house hunting and felt the best way to get an idea of what the community offered was to attend meetings and see firsthand.

“This is how it all started for me,” he told The Reckoning. “There was an older lady, Miss Hattie, who served as the organization chaplain. She stood up in one meeting and mentioned that someone who had recently left the community was supposed to paint her house.”

As Miss Hattie said, “he promised to paint my house,” it took no time for Hudgins to volunteer.

I knew I was not alone. I had spoken to other Black gay men who were caregiving, but it was not something that was often discussed openly. Caregiving can be a very solitary role, where you end up isolated, and unable to find an outlet for all the emotions that you’re experiencing. Because, for some, you are caregiving 24 hours, and unable to leave your care recipient.

I was taught growing up that men were the providers, and as a Black man, I was supposed to leave the home to earn a living to take care of my family. The emotional and physical care wasn’t something I was taught would be my burden to carry. The truth is, there was never going to be any other way this would go. My parents have two sons. We were going to have to shoulder this burden or consider a home for our parents.

“How can you believe in something you’ve never seen?”

It’s a question that plagued a young Jamal Jordan during his formative years in Mobile, Alabama as he acknowledged his same-sex attraction as the thing that made him different from some of the other boys in the Gulf Coast community that he called home. The something that he’d never seen was queer couples of color. It would be decades after a young Jordan’s initial realization of the erasure of Black LGBTQ+ couples in mainstream media that the adult journalist would take control of the narrative in a viral story for The New York Times, and the subsequent book by the same title.

New data from the Georgia Department of Corrections has found that more people between 1999-2020 have been impacted by Georgia’s HIV crime laws than previously reported, with the average cost to Georgia of incarceration alone adding up to over $9 million in the last two decades.

The new analysis appears in an updated report from The Williams Institute UCLA School of Law that finds between 122 and 133 people have been incarcerated for an HIV crime in Georgia since 1988. This is a 61% to 76% increase in the previously reported number of 74 convictions. Much of the difference (26 cases) is the result of new data from 2017 to the present.

One of the more comical realms of social media is the DL mystique — whether it’s guys trying to enhance their desirability to other men by insisting how non-gay they are, or ridiculous captions on freak videos that read like millennial updates of ‘70s porn scripts: My Uber driver was on his way to play basketball and his wife is eight months pregnant with their third child. His shorts started to rise when he talked about missing sex, and since I didn’t have any money for a tip, I gave him this instead!

In between breaks on the red carpet at the July 1 launch party of iElevate+ TV, a new Black LGBTQ+ on-demand live streaming platform, CEO OC Allen III emphasized that the time is now for a digital space to center Black LGBTQ+ content and storytellers.

A throng of supporters filed into "Book Boutique," a new Black-owned bookstore inside Atlantic Station to celebrate the beginning of an exciting era in Black LGBTQ+ entrepreneurship and collaboration. The event preceded the holiday weekend sneak peek that gave viewers a glimpse of the content Allen and his team have curated over the last six months—setting the stage for underrepresented Black LGBTQ+ content to be seen on a global stage to an underserved audience.

Filmmaking and producing duo Deondray and Quincy Gossfield have been back at their East Point home for over a week since their successful debut at The Tribeca Film Festival, but the energy of New York City and the industry buzz generated from their short film FLAMES is showing no sign of being extinguished anytime soon. Emmy-Award-winning lesbian filmmaker Lena Waithe is responsible for the Gossfield’s return to the director’s chair after spending the last 11 years as reality television producers.

According to the New York Times, I Was Born This Way, released in 1975, is “the first record to feature lyrics about being an out-and-proud gay man.” At face value that statement is significant, but when you look further, it has a much deeper meaning. Here’s the truth: Charles Valentino (then known by the mononym “Valentino”), a Black gay man, sang the first record to feature lyrics about being out and proud. The lyrics were written by Bunny Jones in 1971, a Black woman. CNP plans to honor the legacy of this groundbreaking song in LIBERATION: Remembering I Was Born This Way—a two-part event kicking off in July.

What do Black gay men want when it comes to finding relationships? It’s the central question Atlanta gay dating coach and matchmaker Lamont White will work to answer in his new video series “The Gay Man’s Guide To Dating.” The five-part series will launch in July on CNPTVs YouTube channel.

If the app on Lonnell Williams’ phone that tracks his travel is accurate, he has been around the earth 103 times, accumulated over 2.5 million miles, and has traveled enough to go to the moon 11 times, and that’s just in the last ten years. Standing still has never been an option for the digital content creator who navigated the streets of his native San Francisco and Oakland before jet-setting across the globe, and ultimately landing in Atlanta.

“My dad lived in San Francisco, so I was back and forth across the Bay. I would travel on the Bart and the bus,” says Williams. “I had my little bag. I'd go and visit my grandma. So I was always used to being on the move.”

On television, the journey to fatherhood is blissfully straightforward: A few rough and tumble single years before finding ‘the one,’ welcoming a child or two, and settling down into cozy family life.

For Britt Chambliss, 33, the journey was similar up to a point. The Navy vet had restless years of self-discovery, found a wife, and even welcomed a daughter. Then he took a step toward an identity most fathers take for granted, shedding the female gender he was assigned at birth before stepping into his identity as a transgender man.

On June 25, 1996, Meshell Ndegeocello released her sophomore album Peace Beyond Passion, and “Leviticus: Faggot”, released the day after my 19th birthday on May 21, 1996, was one of the lead singles. The sky opened and the way I listened to music shifted.

Xavier Logan, 18, wasn’t even an idea in his parent's mind when the legendary Debbie Allen as Lydia Grant said the famous line to a studio of hungry dancers in the beloved 80s dance series “FAME.” But for nearly a decade, Logan, an Atlanta native and recent North Springs Charter High School of the Arts & Sciences graduate has arrived at this moment through nothing less than sweat and determination, and it all appears to be paying off.

If Kipper Jones, 59, could go back in time to give himself advice, the celebrated songwriter and vocalist says he would simply say, “don’t be afraid.” For the man who famously penned hits for Vanessa Williams (“The Right Stuff,” “Comfort Zone'') and Brandy (“I Wanna Be Down,” “Brokenhearted”) that catapulted their careers and made them superstars, Jones has spent most his life running towards success and running away from himself. As a self-identified same-gender-loving man, Jones often wrote about love in songs that shot up the Billboard Hot 100 chart, while denying himself the experiences in his lyrics.