At the 2025 Paradise Garage Reunion at Xanadu in Brooklyn, writer Craig Washington joins fellow “Garageheads” to celebrate the legendary club’s enduring legacy. Through an intimate interview with original resident DJ and reunion co-organizer David Depino, the piece explores how the gathering has evolved into both a multigenerational dance floor and a living memorial to those lost to HIV.

Tubi’s “Demascus” upends TV norms, blending sci-fi, comedy, and therapy to deeply explore Black masculinity and vulnerability. Writer, Josha Alston, argues that the show is a fresh, essential vision for Black storytelling, revealing how real revolution comes when platforms dare to center authentic voices and complex emotional journeys.

Recorded in January 2021, Archbishop Carl Bean, spiritual leader, HIV activism pioneer, and the voice behind 1977’s “I Was Born This Way,” recounts his journey from gospel stages and Motown to founding Unity Fellowship and ministering through the HIV crisis of the 1980s and 1990s. It’s a candid, joy-filled reflection on faith, music, and queer Black liberation that turns history into a call to love openly and live unapologetically.

Mr. Loverman is a quietly stunning drama about a 74 year old Antiguan-born British patriarch who has hidden a decades-long same-sex affair with his best friend and soulmate. The story of love, regret, and longing, inside the glass closet, is told through theatrical storytelling and remarkable performances.

Malcolm-Jamal Warner’s portrayal of Theo Huxtable on The Cosby Show redefined Black boyhood on television. Through Warner’s work, generations of Black boys, from all backgrounds, found permission to be complex and unapologetically themselves.

Noah’s Arc: The Movie revisits the groundbreaking Black gay series two decades later to deliver a searing meditation on aging and loss centering the seldom-told experiences of middle-aged Black gay men.

Wicked's Elphaba, played by Cynthia Erivo, shined new light on the story of prejudice and self-acceptance. In this piece, Dr. Deion Hawkins discusses how this casting choice illuminates the Black queer experience.

When Grammy-winning producer Kaytranada faced online backlash over his dating preferences, it spotlighted the complex pressures Black men face regarding who they date. Writer, Joshua Alston examines how public policing of private lives not only flattens individual identity but also risks harming the very communities seeking greater representation.

As Black dandyism takes center stage, writer Eric Paulk explores the tradition's roots while calling for real change to address the mental health, education, and economic struggles plaguing Black men today.

in the Power universe, multiple Black queer characters are not caricatures or void of complexity. Instead, they are the core drivers of the plot and prompt character development for others. Their queerness is as apparent as their Blackness.

As anyone who’s ever had a fulfilling hookup app experience can attest, even the most contrived and artificial scenarios can yield moments of genuine connection and intimacy. Jerrod Carmichael has plenty of those moments in “Jerrod Carmichael Reality Show,” his new Max project chronicling the comedian’s biennial whirlwind.

In this episode of The Reckoning, we talk to Senior Editor, Dr. Deion Hawkins about the historic Best Actor Academy Award nomination for Colman Domingo, who portrayed Bayard Rustin in the 2023's biopic, ‘Rustn’.

As our nation continues to be blasted with arctic chills and snow, things in Hollywood are heating up. Some industries enter the year gradually, but movies and television make a grand entrance at the top of the year as the award season blazes on.

On this podcast episode Johnnie Kornegay chats with Singer, Songwriter, Producer and Arranger Donnie about his album The American Mythology, and his personal journey to liberation.

This conversation was taped on June 20, 2016.

Ever been to a theatrical production or seen a film and asked yourself, or the person next to you, how someone built up the courage to perform a nude scene? Better yet, have you ever marveled at how realistic the sex scene was or the perfection of the characters' intimacy?

Nathan Lee Graham is crystal clear about his personal and professional identity. 

"My pronouns are he, him—diva. And I'm a very proud Black gay man," he says. 

On November 18, writer and director Elegance Bratton's "The Inspection," starring Jeremy Pope, Raúl Castillo, and Aaron Dominguez, with Gabrielle Union and Bokeem Woodbine, will hit theaters across the country in limited release. Bratton ("Pier Kids," "Buck"), who is openly gay and a former U.S. Marine, has written and directed an epic American drama that is unapologetically Black and queer. These two ingredients would have almost ensured a mainstream film to be dead on arrival before the 2017 Best Picture Oscar win for "Moonlight."

Inspired by actual events, "The Inspection" tells the story of Ellis French (Pope), a young Black gay man rejected by his mother, Inez French (Union), because of his sexual orientation. After being kicked out of the family home, French is thrust into homelessness in New York City. With few options for his future, he joins the Marines to win his mother's love. In the era of "Don't Ask, Don't Tell," the former discriminatory policy prohibiting out LGBTQ service members, French faces the grueling requirements of boot camp, blatant homophobia, and an unrelenting determination to succeed.

Six years in the making, Bratton tells The Reckoning, "The Inspection" began as part of the narrative of a planned autobiography that he ultimately decided to shelve. He credits his husband and producing partner, Chester Algernal-Gordon, for encouraging him to bring his life story to the big screen.

"You need to tell a story that brings audiences to a place they could never go unless you take them there. It has to be really personal," Bratton recalls Algernal-Gordon saying to him at the time. "He insisted that The Inspection would be the one that would change our lives."

The cannon of Black horror films is limited. The cannon of horror films featuring Black queer characters, even more so. It's a sobering reality that Black fans of the genre have endured for decades until the mainstream explosion of Academy-Award-winning writer/director Jordan Peele's cinematic success. In the spirit of Peele, Atlanta-based actor, writer, and filmmaker Isaiah Rice is on a mission to change the face of horror again.

An openly gay man and lifelong horror fan, Rice is turning the 1980s-inspired grindhouse horror aesthetic on its head in his latest short film, "He's Watching You." The film follows Sidney(Rice) and Ryan(Schyler Tillett), a young millennial 20-something Black queer couple visiting a cabin in the woods for a romantic getaway to rekindle their broken relationship. Sidney is a recovering drug addict fighting to stay clean after rehab. Ryan is a recent law school graduate with hopes that the cabin trip will bring them closer together now that Sidney has reached a level of sobriety. While their backgrounds differ, one key thing remains true– their love for one another. However, as romance unfurls at the beginning of the night, it ends in horror with a fight for survival.

"While the core leads are two Black queer men in a relationship, the focus of the story is not centered around their sexuality," Rice says. "This is an issue that most films focus on when it comes to having queer characters. The general queer storylines seem to focus on the trauma of coming out of the closet, hiding your sexuality from society, or at times being oversexualized. "He's Watching You" is a grindhouse horror film, but it has nothing to do with the character's sexualities. They happen to be a queer couple in the wrong place at the wrong time," he says.

A dance and political science alum of Bates College, Rice tells The Reckoning the seed for "He's Watching You" was first planted after expressing his frustration to a film professor about the lack of representation of Black queer couples in horror.

On November 12, 2017, at 6:49 pm, I received a text that read: “Antron has transitioned.”

The official cause of death was cancer, but HIV was the cause. I’ve never written that publicly before, although it’s true. Antron-Reshaud Olukayode was a poet, artist, and community activist, but more importantly, he was my friend.

2017 was an important year for me as a creative. In retrospect, it’s hard to wrap my head around just how much work I was able to curate. I produced podcasts and multiple live events, shot countless photoshoots, produced a music video, co-curated an art display at the National Center for Civil and Human Rights, and even won an award.

Do fat people exist in the future?

That's likely a question that many have never thought to ask. It has been argued that people of size are some of the most openly discriminated against and marginalized. So, for some, thinking about fatness and fat people existing in the future may be hard to imagine.

But not for writer Alex Smith, a 46-year-old, Philadelphia-based artist, with roots in the Punk music scene. Smith is not afraid of anarchy. In some ways, he thrives on it, and people are taking notice. His newest work, "Black Vans," takes his ambitions to uncharted territory and places Black, queer, fatness center stage.

"If we're gonna do this, we're gonna do this," Smith tells The Reckoning. "It was a no-brainer that the main character was going to be a fat, Black bear, period," when discussing his comic book series and its lead character, "Bo," who is of Afro-Latin descent.